Look, don’t have a go at us – we’re just making this up as we went along. We didn’t realise this was going to last over three and a half hours! We roll off the films we watched at the cinema during 2015, with added critical analysis, occasional profanity and bad impersonations. Apologies from Jimi as he is solely responsible for the latter two factors. Listen for free or download as an mp3 via the Fan Commentaries link to the left!
Some of my reviews are from the wonderful VHS Revival site.
I saw the new Star Wars movie this morning. I didn’t read any reviews before seeing it, even the ones that claimed to be spoiler-free. I mean, even a review that was spoiler-free might give away things without meaning to. You know, when a review thinks its being nice by not revealing a film’s big twist but the sheer act of mentioning a twist means that I’m trying to second-guess the film all the way. So, this is a review for those who’ve already seen the film. I’m not going to go into plot, because anyone who reads this review will have seen the film already. If you haven’t seen the film yet, and you still want to read this piece, then good for you. I think.Weirdo.
I’ve only seen The Force Awakens once, and it’s only been six or so hours since I saw it, so feelings and opinions are still fresh, unfocused and whatnot. In no order, this is a rambling account of how I feel about it. It’s not a thorough review, it’s just how I feel at this time.
- It is better than all of the prequel films. The prequels were not awful – I watched them again recently and they are spectacular, sometimes exhilarating and dramatic, and Ian McDiarmid is terrific, the unquestioned highlight of all three episodes, but they are deeply flawed films. This is the Star Wars film we should have got back in 1999.
- There is no embarassing dialogue, no clunky plot, no bad acting. This is a strong Star Wars movie.
- The film starts without the 20th Century Fox logo. This is weird, but can’t be helped. Still, it is odd not hearing that fanfare, though I’m so glad we didn’t kick off with the Disney or Bad Robot idents. Simply having the Lucasfilm glimmer into shot without any music was the best possible solution.
- No matter which Star Wars film I watch, all immediate emotional responses once that ‘STAR WARS’ title appears and the John Williams score explodes into earshot are the same. Essentially, it’s bliss. I’m a child again. The opening text is a good one, no crap about trade debates and taxation. I’m excited.
- I bloody love Oscar Isaac. Seriously, whatever it is that the best actors have, whatever IT is, that special something or whatever, he’s got IT. He’s just got that charisma, that magic… he’s the best. Still, that name… Poe Dameron… I keep thinking of Cameron Poe from Con-Air.
- As soon as that blood is wiped over Finn’s stormtrooper helmet, all the antiseptic cleanliness of the prequel trilogy is instantly forgotten.
- Rylo Ken is a terrific villain. He makes you realise that for all his cool double-edge lightsabre antics, Darth Maul was a very one-dimensional antagonist. Maybe there was a little bit more to Count Dooku, but not much. General Grevious had more limbs that personality traits. Rylo Ken is properly conflicted, fascinating, scary and extremely well played by Adam Driver. I was unsure of him beforehand, because as terrific as he is, he has a certain screen presence that I didn’t think would blend with Star Wars. He has adapted beautifully to this series.
- The music is strong. Whenever it references earlier cues and themes, it’s a wonderful thing.
- The return of characters from Episodes IV-VI is wonderfully handled. Han Solo, Chewie, Leia and (eventually) Luke… it really was like seeing old friends again. Can’t say the same about Threepio and Artoo, as it feels like they never went away, thanks to them being in the prequel trilogy.
- The action is exciting, convincing (great special effects) and engaging. The only exception is that the final attack on Starkiller Base is a little underwhelming – the concluding space battles in A New Hope and Jedi are still the ones to remember. It’s a million times better than the one from The Phantom Menace though.
- It is arguably the funniest in the series. I know that Episodes IV-VI are wonderfully humourous experiences, but the humour I think comes from repeated viewings and familiarity with the characters. In terms of actual jokes and proper immediate laugh-out-loud moments, this is the one. Chewie complaining about the cold and the two Stormtroopers who back off quickly from Rylo Ken’s path of fury were particularly hilarious.
- Gwendoline Christie didn’t have an awful lot to do in her masked role. Here’s hoping she gets to have some fun in Episode VIII.
- Domnhall Gleeson was a little, and I mean just a little, hammy as General Lux – he didn’t feel truly threatening enough for me. Having him report to Snoke alongside the truly menacing likes of Rylo Ken was a bit like having Admiral Piett and Darth Vader sharing an elevator on their way to the Emperor.
- Speaking of Snoke, was anyone else truly worried when he initially appeared to be a genuine behemoth, towering over his underlings? When it turned out that it was just a blown-up projection, I sighed the sigh of the truly relieved.
- Underplayed, but wonderful references to the original trilogy – the little sphere thing that Luke has to defend himself from whilst training on the Falcon, the re-activation of the holo-chess game, other things I can’t remember…
- Daisy Ridley is a total success as Rey – the film delightfully undercuts what you imagine would be typical damsel-in-distress moments. I was worried when she was taken prisoner that she would be merely the subject of rescue, but I should have known better. She is tough, smart, passionate and this new film’s brightest star.
- John Boyega is similarly successful – this is the first time we’ve really got to know a Stormtrooper behind all that armour, and he and Ridley are a great team. Additionally, his early chemistry with Oscar Isaac is magic. Hopefully we’ll see more of these team-ups. Finn’s scenes with his newly acquired lightsabre are the equivalent of what it would be like if you or I got to handle one of those things.
- Han Solo. His final scene marked the moment where The Force Awakens shifted from an excellent film into a truly amazing one – his and Ken’s confrontation was a major turning point, totally heart-stopping. I didn’t want Han to die – who would? But it made for terrific drama.
- Wasn’t it wonderful to have Leia back? Carrie Fisher was wonderful – kind, but sad. Just like the way she rembered her own mother in that scene on Endor back in Jedi. Her moments with Han were really sweet. The big happy ending of Jedi never did last, sadly.
- The new robot – BB-8, is not, as we might have understandably feared, the new Jar Jar Binks. He’s adorable and really funny. That thumbs-up bit was genius.
- Locations and photography are stunning – the early scenes on Jakku boasted the best of the desolate, run-down feel of Tatooine, whilst the look of the final battle admist a planet where the sun was gradually being drained of power was really effective. Once the snow started falling down on the forest, the mood was the equal of that of Empire and Jedi. Earlier shots like those of the fallen Star Destroyer, or the Apocalypse Now-riffing vision of the TIE fighters against a sunset, were breathtaking.
- Oh yes, that lightsabre duel. How bloody fantastic was that? First Rylo Ken and Finn, then Rylo Ken and Rey – this crackled with knife-edge tension and spectacle. Roger Ebert once said of Star Trek III: The Search for Spock that the ending featured the ‘latest word in fistfights on the crumbling edges of fiery volcanoes’. This scene outdoes it for duels taking place amongst apocalyptic destruction. Best scene in the film.
- The final scene. Luke! Of course, every film aside from Episodes IV and VI (and I suppose III too, so that’s half the series, whoops) has left us hanging, and this is no exception, but it is a complete, totally satisfying film in its own right.
- The key to this film’s success is SIMPLICITY. You could write the plots of Episodes IV-VI on the back of coasters, whereas the convoluted, overly explanatory and bogged-down plotting of the other three often dragged. The best Star Wars films do a hell of a lot with seemingly little – they breathe in and take in their surroundings, they have fun, they feel expansive. For all the surface complexity of Episodes I-III, they feel very suffocated, too trapped within their set plot course. Plus we knew exactly where they were going. Wasn’t it great to see a Star Wars film that genuinely surprised us? Roll on Episode VIII.
- Thank you Michael Arndt. Thank you Lawrence Kasdan (great to have you back). And yes, thank you, thank you, thank you JJ. Abrams.